
1978 / NBC / TELEVISION FILM
Someone’s Watching Me!
Hutton and Barbeau, the NBC ratings sweep, surveillance architecture and matched comparisons of two framings.
Enter the expanded dossier ↗TELEVISION / EARLY WORK / OTHER ROLES
The high-rise. The stage. The late-night nightmare.
Six directing works, the student archive and the writing assignments that complicate the familiar career. Follow the people, versions and production stories that make the other screens worth exploring.
A DIFFERENT WAY THROUGH CARPENTER
A musical biography beside a surveillance thriller. A horror host beside a filmmaker directing across an ocean. These works reward attention on their own terms—and reveal collaborations that carry across the features.
1978—2023 / THE DIRECTING WORKS

1978 / NBC / TELEVISION FILM
Hutton and Barbeau, the NBC ratings sweep, surveillance architecture and matched comparisons of two framings.
Enter the expanded dossier ↗
1979 / ABC / TELEVISION FILM
Russell and McDowell, the ABC premiere, conflicting memories, film frames and a history of competing editions.
Enter the expanded dossier ↗
1993 / SHOWTIME / ANTHOLOGY
Three stories, two directors, the Coroner and his collaborators: film frames, period criticism, music and the disputed series history.
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2005 / MASTERS OF HORROR / S1 E8
The forbidden print, the writers, the Vancouver shoot and Cody’s score: follow the collaborators, film frames, early criticism and museum afterlives.
Enter the expanded dossier ↗
2006 / MASTERS OF HORROR / S2 E5
The clinic siege, the writers, Angelique and Dwayne, KNB’s creatures and Cody’s score: follow the episode from Sitges and Showtime to conflicting reviews and regional editions.
Enter the expanded dossier ↗
2023 / SUBURBAN SCREAMS / S1 E6
Phone Stalker and the series around it: testimony, the radio cut, remote direction, Czech crews, design, music, local history and a divided reputation.
Enter the expanded dossier ↗THE ADJOINING ARCHIVE

1968–1970 / EARLY WORK / SURVIVING MATERIAL
Explore the films, collaborators, music and surviving materials—from the masked watcher to Broncho Billy, Lady Madonna and five further USC credits.
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1978–1999 / TELEVISION WRITING / OTHER ROLES
Follow five television writing projects, theatrical screenplays and producing decisions through nineteen studies, thirty-two source records and six archival script leads.
Explore the dossier ↗SOURCE LIBRARY
Explore the interviews, production histories, contemporary reviews and edition records behind the collection.
1978 film and 2018 Blu-ray specifications, including supplements.
Used in: Someone’s Watching Me! (1978): turning surveillance around
Release, cast and production credits; promotional synopsis used cautiously.
Morgan’s account of working with Carpenter, including Elvis; retrospective testimony.
Showtime anthology, original release and collaborators.
Critical assessment and description of the 2013 disc; identifies segment directors and supplements.
Episode credits and narrative premise.
Contemporary television listing for the 24 November 2006 broadcast.
Tara Bennett interviews King about production and the Phone Stalker episode. Network-affiliated coverage.
Institutional report on the recovered 1969 student short.
Used in: Student work and the archive
Identifies early shorts and roles, including O’Bannon’s Good Morning, Dan.
Used in: Student work and the archive
Credits The Resurrection of Broncho Billy to James R. Rokos, with Carpenter among its collaborators.
Used in: Student work and the archive
Carpenter’s writing, producing, music and editing credits.
Used in: Student work and the archive · Writing and producing beyond the director’s chair